Thursday, September 20, 2018

My Thoughts On All the Corn: A Bone Late Edition!

In Nebraska, there's a crapton of corn. I mean, there's corn in Iowa, and, I suppose, North Dakota somewhere if the rumors are true, but Nebraska and corn go together like, well...Nebraska and corn. When I would leave the state, and sometimes even now in Oregon, people will remark on the abundance of corn back east. I smile, and apologize for us having so much corn, and everyone nods sadly, if not understandingly.

So, I wrote this poem long ago. It's all about corn. It was a fun, sad poem to write. One of my first loves is mentioned--she visited my grandpa's ranch to see her friends, my cousins (or whoever they were--second cousins once removed? They were family, and that was all that mattered). A cute little blond girl. I remember we had fun playing on top of the corn in the corn bins (still on the husk--my gramp wasn't a monster!) pretending we were helping push it down so it could go into a truck, get hulled (shelled? de-kerneled?) and get turned into sweet, sweet silage. I should've worked silage into this poem. Maybe I will someday.

So, this is a poem, and the events within are all true. There was a guy near West Point who committed suicide in a corn field, and I know of one or two more who have taken their lives in a field of Nebraska corn. It is symbolic of something, but I don't know what. Oh, and I don't know how to turn comments on. I'm working on it! Oh, and at the time of me actually being in the field and getting triggered to write this poem, I didn't have a car that used E85. That...that was a lie. Anywho....

...oh! Attentive readers will notice I didn't force 100 mentions of corn into this. I mean, I could have, but that would've been gauche.


Corn Syrup 

     An Ode to Corn

All alone at night
I stop on a county road,
flanked by two fields of corn.
I’m a Nebraskan.
I feel I should
know about corn,
know the corn.

I get out of my car
and hear the rustle of corn.

On my right, a field of corn
A field of corn
made up of rows of corn
rows of corn
made up of stalks of corn
each stalk of corn has an ear of corn
and an ear of corn
has about 389 kernels of corn
wedged into a corn
cob nestled in corn
silk swathed in a shuck of corn.

I wander into the corn,
this maize of corn.
The tassels poke out like fireworks,
proclaiming the Coming of Corn.
 I feel like John the Baptist,
dunking myself in row upon row of corn
in a sea of corn. 
I wonder if Jesus would walk upon the corn. 
Would He take my hand
so I wouldn’t drown
in this field of corn? 
So that sailors could
row through the corn, take my hand
and pluck me from corn?

As I come to another
in the infinite rows of corn,
I remember this guy
two towns over
who died in a field of corn.
His lover left him, so he took
his .38 and shredded his head
like cheese in a grinder of corn—
in an unhappy, unholy high-fructose suicide.
The corn farmer who found him
in his field of corn, said
the blood spotted green
like Christmas, a Christmas
where Jesus was killed
and His blood was wasted on corn
in a field of corn in the middle of sinners and corn.

But death is not corn.

       or, rather,
    death is corn.

I remember, in this corn, all the sermons
I heard about corn:
A corn of corn must fall into the earth
and die. Or it will be alone. But if it die?
It brings forth a field of corn.
 
And it’s true. 

The seeds of corn are cast
to the moist, Nebraska field and die,
only to sprout more corn:
A high-fructose resurrection of corn.

And as corn is born again—
(it takes about three days,
says a respectable corn farmer) 
it sprouts to the sun
and shows itself first
to maidens who herald
the rebirth of corn.

I kneel before the corn.
The corn has exposed roots,
making the tassels golden,
the silk golden,
the kernel golden,
the cob golden from a golden
sun that feeds it
and allows my nephew to use it
as gold, a stock-market of corn
in his world where the lights
to sandcastles are corn.

I step in between two rows of corn,
and see some volunteer corn.
This corn is shorter than the rest,
practically a weed of corn
from a seed of corn wasted,
forgotten, except for the
farmer with an eye for corn.

I smell the corn. 
I don’t think its sweet corn
or Indian corn, but field corn.
Maybe it’s a by-god
emmy-corn hybrid.
I think of cornbread—Golden
like corn, we put it in our mouths
and chew, the corn
comes apart and is swallowed
where it finds its way past
our cornholes and is expelled:
      Used up corn.

I feel the corn. 
Stalks like sugar leaves
rough and cutting,
tassels dripping pollen,
silk as soft and as blond
as my cousin’s friend’s hair
I brushed once, brushing out
detritus from a day
in the corn bin, pushing out corn. 
I remember her hair smelled
as sweet as this corn,
and we held hands and ran,
laughing in memories of corn.

I taste the corn.  Not sweet
like sweet corn, but corn, nonetheless.
A niblet of corn gets caught in my teeth—
A wonderful, painful
cavity of corn.


Hell, I even used to smoke corn.
My friend and I used to steal
into the corn and rip
silk from the corn, and roll it
up into joints of corn. 

I’m lost in my thoughts
in a field of corn.
The moon is yellow,
the yellow of corn,
a single kernel of corn
like a lonely tooth stuck
in an endless cob of corn. 
And yes, the stars, tonight, are corn.

I walk back through the field of corn,
back to my corn-fueled car
(ethanol, my friends)
and can hear the voice of corn
rustling me to sleep,
to stay in this crater of corn.
I walk from the heart of the corn
to the edge of corn
where the corn’s world
whispers good-bye
in the soft voice of corn. 
I get in my car, and know
after the fair, maybe a frost,
I’ll drive down this road
into the gaping, brown-toothed maw
of a graveyard of corn.

The End of Corn 

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